| Pijnberichten (prozaproject): (1996 – ) | ||
| niemals Nirgends: Agnes D. (libra) (2012) fluit & harp first performance 31. March Vredenburg Leeuwenbergh, Utrecht Herman van Kogelenberg & Lavinia Meijer |
7′ | |
| .., ci tace (concerto – coro – canto – congiunzione) (2005 – 2006) commissioned by the ZaterdagMatinee first performance 21. October 2006 Concertgebouw Amsterdamtext: Dante Alighieri Inferno, Canto V (with fragments of Friedrich Nietzsche, Virgil, Boethius, Augustinus & Guido Cavalcanti) Radio Chamber Philharmony, Cappella Amsterdam, Daniel Reuss Ernest Rombout (oboe), Laura Aikin (soprano) commissioned by the ZaterdagMatinee composed with financial support from the Fonds voor de Scheppende Toonkunst / score: DONEMUS ci tace (congiunzione lade iv) ci tace (congiunzione lade x) ci tace (proemio lade i) |
45′ | |
| sterrenskelet -> ecliptica (2003) oboe & piano first performance: Ernest Rombout & Gerard Bouwhuis 2 June 2003: Konzert- und Kongresshalle in Bamberg CD Cavalli Records 258 |
7′ | |
| verknipte episoden (2003) piano commissioned by the Fonds voor de Scheppende Toonkunst first performance: Gerard Bouwhuis 2 June 2003: Konzert- und Kongresshalle in Bamberg CD Cavalli Records 258 |
13′ | |
| D a g d r o m e n (2001) soprano, flute, percussion & violin / baritone, clarinet, piano & cello commissioned by the Province of Limburg first performance september 2001 Gaudeamus Week, Amsterdam; Manon Heyne, Romain Bischof, Ensemble 88, René Gulikers |
30′ | |
| Fragment (2003) percussion solo first performance: Johan Faber 2 June 2003: Konzert- und Kongresshalle in Bamberg CD Cavalli Records 258 |
8′ | |
| Drafts and Fragments (2000 – ) for 6 percussionists first performance 16 January Orfeus Apeldoorn 2001, Percussion Group The Hague, Jonathan Stockhammer |
20′ | |
| ogentroost (2000) choir Text: Constantijn Huygens first performance 17. February 2001 Nijmegen Nederlands Studenten Koor |
10′ | |
| verval (1999 – 2003) oboe & percussion commissioned by the Fonds voor de Scheppende Toonkunst first performance: Ernest Rombout & Johan Faber 2 June 2003: Konzert- und Kongresshalle in Bamberg CD Cavalli Records 258 |
19′ | |
| KEELpijn (1996 – ) oboe-solo (musette, oboe d’amore), soprano solo & chamber orchestra text: Eric Verbugt commissioned by the Fonds voor de Scheppende Toonkunst |
25′ | |
| streven (1999) violin commissioned by Stichting Lantaren Venster first performance: 18 October 1999, De Doelen Rotterdam Joris van Rijn CD-recording NM 92120 score: DONEMUS |
3′ | |
| tussentijd (1999) clarinet & cello commissioned by the Fonds voor de Scheppende Toonkunst first performance: 7 March 1999, Stadsschouwburg Heerlen Jos Kamp & Leo van Tol |
12′ | |
| striemen (1999) musette commissioned by the Fonds voor de Scheppende Toonkunst first performance: Ernest Rombout 2 June 2003: Konzert- und Kongresshalle in Bamberg |
9′ | |
| ENERGIE (1998) oboe & percussion |
4′ | |
| sterrenskelet -> Adara (1996) cello & bass-clarinet (beeld 2 from VERVAL) first performance: 1 September 1996, Het Parcours Maastricht Jos Kamp & Leo van Tol |
6′ | |
| VERVAL (1995 – 1998) oboe-solo (musette, oboe d’amore), percussionsolo / trumpetsolo / flute, clarinet, piano, violin, altviolin, cello, double bass commissioned by the Fonds voor de Scheppende Toonkunst |
15′ | |
| Leo (1997) clarinetsolo (beeld 2 from nachtscène) first performance: 8 February 1998, Museum Bommel van Dam Venlo Leo van Tol |
5′ | |
| nachtscène (1997) (withdrawn: in revision) soprano, bariton & percussion / clarinet / violin & piano text: Eric Verbugt commissioned by the Fonds voor de Scheppende Toonkunst first performance: 4 December 1997, Zaal De Unie RotterdamManon Heyne, Matthijs Mesdag & Ensemble 88, René Gulikers |
10′ | |
| Anna Livia Plurabelle cycle: (1988 – 1996) | ||
| A hand from the cloud emerges holding a chart expanded (1993) version for harpsolo (Book III from Alba for Anna Livia Plurabelle) first performance: 22 April 2005, Bergen; Saskia Kingma |
3 | |
| …, scarce a cloud (1994) bes-clarinet, violin & piano (Book III from Alba for Anna Livia Plurabelle) first performance: 26 November 1994, Bis Theater Den Bosch (November Music) Ensemble 88, René Gulikers |
3′ | |
| Soft morning, city! (1990 – 1993) soprano solo (Book II from Alba for Anna Livia Plurabelle) text James Joyce: Finnegans Wake first performance: portraitconcert 22 February 1994, Conservatory Maastricht: Manon Heyne |
6′ | |
| Sandhyas! Sandhyas! Sandhyas! (1992 – 1994 rev. 1996) cello-solo (Book I from Alba for Anna Livia Plurabelle) first performance: portraitconcert 22 February 1994, Conservatory Maastricht; Jos Kamp |
10′ | |
| Alba for Anna Livia Plurabelle (1990 – 1994 rev. 1996) sopranosolo, cellosolo, bes-clarinet, violin & piano text James Joyce: Finnegans Wake first performance: 26 November 1994, Bis Theater Den Bosch (November Music) Ensemble 88, René Gulikers |
25′ | |
| Labo:rund (1993) (withdrawn) orchestra |
12′ | |
| Donna mi Priegha (1991) synthesizer first performance: 1991, Conservatory Maastricht; Anita Wijnen |
9′ | |
| Fantasia ‘consonancias y redobles’ (1990) guitar first performance: 1990, Conservatory Maastricht; Eric Verbugt |
3′ | |
| Anna Livia Plurabelle Prelude (1988) flute first performance: 1990, Conservatory Maastricht; Carla Nies |
6′ | |
| alle geluid doormidden (2000) (withdrawn) soprano text: Theo van Doesburg first performance: 7 May 2000, Centraal Museum Utrecht; Ingrid Kapelle |
7′ | |
| es ist Zeit (1997) organ first performance: 17 July 1997, St. Brigidakerk Noorbeek; Anja Hendrikx |
7′ | |
| Son éloge (1995) bass-clarinet & piano (Book III from DREMPEL) |
7′ | |
| Transgression (1995) baritone & piano (Book II from DREMPEL) text: (after George Bataille) Friedrich Nietzsche, Markies de Sade, G.F. Hegel & William Blake |
8′ | |
| (tussenruimten) (1995) flute, percussion & cello (Book I from DREMPEL) |
5′ | |
| DREMPEL (1995) DONEMUS flute, percussion, cello / baritone & piano / bass-clarinet & piano) text: after Georges Bataille with textfragments of Friedrich Nietzsche, Markies de Sade, G.F. Hegel & William Blake commissioned by the Fonds voor de Scheppende Toonkunst first performance: 19 November 1995, Intropodium Maastricht Ensemble 88, René Gulikers with Matthijs Mesdag (baritone) |
15′ | |
| en al luisterend… (1993 – 1996) DONEMUS Version for chamber orchestra (15 players) first performance: 2 September 1996, Beurs van Berlage Amsterdam during the Gaudeamusweek 1996 The Doelen Ensemble, Lucas Vis |
8′ | |
| en al luisterend… (1993 – 1994) accordion & 2 piano’s commissioned by de Provincie Limburg first performance: 12 March 1996, Intropodium Maastricht Mirjam Verheggen, Jeroen van Riemsdijk & Harry Faessen |
8′ | |
| Bild VII (aus dem Novecento) (1994) DONEMUS Percussionsolo |
2′ | |
| Bilder (aus dem Novecento) (1994) DONEMUS flute (piccolo), clarinet, trombone, percussion, piano, soprano, violin, alto, cello text: Arno Schmidt: Julia, oder die Gemälde commissioned by the Fonds voor de Scheppende Toonkunst first performance: 23 March 1997, Paradiso Amsterdam; Schönberg Ensemble, Micha Hamel, soprano Renate Arends honorable mention in the Gaudeamusweek 1997 |
14′ | |
| …, but that’s too long ago for him to remember (1989 – 1991) accordeon & 2 percussionists first performance: 26 July 1992, Darmstädter Ferienkurse Teodoro Anzelotti, Noël van Dartel & Stephan Wassmansdorf, James Avery |
15′ | |
| Three quarks for Muster Mark! (1985 – 1987) guitar first performance: 27 November 1987, Intropodium Maastricht; Eric Verbugt |
5′ |
