Deprecated: Unparenthesized `a ? b : c ? d : e` is deprecated. Use either `(a ? b : c) ? d : e` or `a ? b : (c ? d : e)` in /customers/a/6/9/ericverbugt.nl/httpd.www/wp-content/plugins/soundcloud-shortcode/soundcloud-shortcode.php on line 132 Compositions | Eric Verbugt

Compositions

Pijnberichten (prozaproject): (1996 – )
niemals Nirgends: Agnes D. (libra) (2012)
fluit & harp first performance 31. March Vredenburg Leeuwenbergh, Utrecht Herman van Kogelenberg & Lavinia Meijer
7′
.., ci tace (concerto – coro – canto – congiunzione) (2005 – 2006)
commissioned by the ZaterdagMatinee
first performance 21. October 2006 Concertgebouw Amsterdamtext: Dante Alighieri Inferno, Canto V (with fragments of Friedrich Nietzsche, Virgil, Boethius, Augustinus & Guido Cavalcanti)
Radio Chamber Philharmony, Cappella Amsterdam, Daniel Reuss
Ernest Rombout (oboe), Laura Aikin (soprano)
commissioned by the ZaterdagMatinee
composed with financial support from the Fonds voor de Scheppende Toonkunst / score: DONEMUS
ci tace (congiunzione lade iv)
ci tace (congiunzione lade x)
ci tace (proemio lade i)
45′
sterrenskelet -> ecliptica (2003)
oboe & piano
first performance: Ernest Rombout & Gerard Bouwhuis
2 June 2003: Konzert- und Kongresshalle in Bamberg
CD Cavalli Records 258
7′
verknipte episoden (2003)
piano
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: Gerard Bouwhuis
2 June 2003: Konzert- und Kongresshalle in Bamberg
CD Cavalli Records 258
13′
D a g  d r o m e n (2001)
soprano, flute, percussion & violin / baritone, clarinet, piano & cello
commissioned by the Province of Limburg
first performance september 2001 Gaudeamus Week, Amsterdam; Manon Heyne, Romain Bischof, Ensemble 88, René Gulikers
30′
Fragment (2003)
percussion solo
first performance: Johan Faber
2 June 2003: Konzert- und Kongresshalle in Bamberg
CD Cavalli Records 258
8′
Drafts and Fragments (2000 – )
for 6 percussionists
first performance 16 January Orfeus Apeldoorn 2001, Percussion Group The Hague, Jonathan Stockhammer
20′
ogentroost (2000)
choir
Text: Constantijn Huygens
first performance 17. February 2001 Nijmegen
Nederlands Studenten Koor
10′
verval (1999 – 2003)
oboe & percussion
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: Ernest Rombout & Johan Faber
2 June 2003: Konzert- und Kongresshalle in Bamberg
CD Cavalli Records 258
19′
KEELpijn (1996 – )
oboe-solo (musette, oboe d’amore), soprano solo & chamber orchestra
text: Eric Verbugt
commissioned by the Fonds voor de Scheppende Toonkunst
25′
streven (1999)
violin
commissioned by Stichting Lantaren Venster
first performance: 18 October 1999, De Doelen Rotterdam Joris van Rijn
CD-recording NM 92120 score: DONEMUS
3′
tussentijd (1999)
clarinet & cello
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: 7 March 1999, Stadsschouwburg Heerlen
Jos Kamp & Leo van Tol
12′
striemen (1999)
musette
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: Ernest Rombout
2 June 2003: Konzert- und Kongresshalle in Bamberg
9′
ENERGIE (1998)
oboe & percussion
4′
sterrenskelet -> Adara (1996)
cello & bass-clarinet (beeld 2 from VERVAL)
first performance: 1 September 1996, Het Parcours Maastricht
Jos Kamp & Leo van Tol
6′
VERVAL (1995 – 1998)
oboe-solo (musette, oboe d’amore), percussionsolo / trumpetsolo / flute, clarinet, piano, violin, altviolin, cello, double bass
commissioned by the Fonds voor de Scheppende Toonkunst
15′
Leo (1997)
clarinetsolo (beeld 2 from nachtscène)
first performance: 8 February 1998, Museum Bommel van Dam Venlo
Leo van Tol
5′
nachtscène (1997)  (withdrawn: in revision)
soprano, bariton & percussion / clarinet / violin & piano
text: Eric Verbugt
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: 4 December 1997, Zaal De Unie RotterdamManon Heyne, Matthijs Mesdag & Ensemble 88, René Gulikers
10′
Anna Livia Plurabelle cycle: (1988 – 1996)
A hand from the cloud emerges holding a chart expanded (1993)
version for harpsolo (Book III from Alba for Anna Livia Plurabelle)
first performance: 22 April 2005, Bergen; Saskia Kingma
3
…, scarce a cloud (1994)
bes-clarinet, violin & piano (Book III from Alba for Anna Livia Plurabelle)
first performance: 26 November 1994, Bis Theater Den Bosch
(November Music) Ensemble 88, René Gulikers
3′
Soft morning, city! (1990 – 1993)
soprano solo (Book II from Alba for Anna Livia Plurabelle)
text James Joyce: Finnegans Wake
first performance: portraitconcert 22 February 1994, Conservatory Maastricht: Manon Heyne
6′
Sandhyas! Sandhyas! Sandhyas! (1992 – 1994 rev. 1996)
cello-solo (Book I from Alba for Anna Livia Plurabelle)
first performance: portraitconcert 22 February 1994, Conservatory Maastricht; Jos Kamp
10′
Alba for Anna Livia Plurabelle (1990 – 1994 rev. 1996)
sopranosolo, cellosolo, bes-clarinet, violin & piano
text James Joyce: Finnegans Wake
first performance: 26 November 1994, Bis Theater Den Bosch
(November Music) Ensemble 88, René Gulikers
25′
Labo:rund (1993) (withdrawn)
orchestra
12′
Donna mi Priegha (1991)
synthesizer
first performance: 1991, Conservatory Maastricht; Anita Wijnen
9′
Fantasia ‘consonancias y redobles’ (1990)
guitar
first performance: 1990, Conservatory Maastricht; Eric Verbugt
3′
Anna Livia Plurabelle Prelude (1988)
flute
first performance: 1990, Conservatory Maastricht; Carla Nies
6′
alle geluid doormidden (2000) (withdrawn)
soprano
text: Theo van Doesburg
first performance: 7 May 2000, Centraal Museum Utrecht; Ingrid Kapelle
7′
es ist Zeit (1997)
organ
first performance: 17 July 1997, St. Brigidakerk Noorbeek; Anja Hendrikx
7′
Son éloge (1995)
bass-clarinet & piano (Book III from DREMPEL)
7′
Transgression (1995)
baritone & piano (Book II from DREMPEL)
text: (after George Bataille) Friedrich Nietzsche, Markies de Sade,
G.F. Hegel & William Blake
8′
(tussenruimten) (1995)
flute, percussion & cello (Book I from DREMPEL)
5′
DREMPEL (1995)  DONEMUS
flute, percussion, cello / baritone & piano / bass-clarinet & piano)
text: after Georges Bataille with textfragments of Friedrich Nietzsche,
Markies de Sade, G.F. Hegel & William Blake
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: 19 November 1995, Intropodium Maastricht
Ensemble 88, René Gulikers with Matthijs Mesdag (baritone)
15′
en al luisterend… (1993 – 1996)        DONEMUS
Version for chamber orchestra (15 players)
first performance: 2 September 1996, Beurs van Berlage Amsterdam
during the Gaudeamusweek 1996 The Doelen Ensemble, Lucas Vis
8′
en al luisterend… (1993 – 1994)
accordion & 2 piano’s
commissioned by de Provincie Limburg
first performance: 12 March 1996, Intropodium Maastricht
Mirjam Verheggen, Jeroen van Riemsdijk & Harry Faessen
8′
Bild VII (aus dem Novecento) (1994)                 DONEMUS
Percussionsolo
2′
Bilder (aus dem Novecento) (1994) DONEMUS
flute (piccolo), clarinet, trombone, percussion, piano, soprano, violin, alto, cello
text: Arno Schmidt: Julia, oder die Gemälde
commissioned by the Fonds voor de Scheppende Toonkunst
first performance: 23 March 1997, Paradiso Amsterdam;
Schönberg Ensemble, Micha Hamel, soprano Renate Arends
honorable mention in the Gaudeamusweek 1997
14′
…, but that’s too long ago for him to remember (1989 – 1991)
accordeon & 2 percussionists
first performance: 26 July 1992, Darmstädter Ferienkurse
Teodoro Anzelotti, Noël van Dartel & Stephan Wassmansdorf, James Avery
15′
Three quarks for Muster Mark! (1985 – 1987)
guitar
first performance: 27 November 1987, Intropodium Maastricht; Eric Verbugt
5′

composer, writer, musician